Friday, 12 December 2014
Thursday, 11 December 2014
Tuesday, 9 December 2014
Planning- Location Confirmation
Email Confirmation of Our Location
This is the email of confirmation that we could use the Red Hall for our thriller opening. We payed and booked our available time slot so that we could use one or more of the rooms available to us.
This is the email of confirmation that we could use the Red Hall for our thriller opening. We payed and booked our available time slot so that we could use one or more of the rooms available to us.
Friday, 5 December 2014
BBFC Research
BBFC: The British Board of Film Classification
What do they do?
In order to protect children from unsuitable and even harmful content in films and videos and to give consumers information they might need about a particular film or video before deciding whether or not to view it, the BBFC examines and age rates films and videos before they are released. This independent scrutiny prior to release ensures the highest possible level of protection and empowerment.
In order to protect children from unsuitable and even harmful content in films and videos and to give consumers information they might need about a particular film or video before deciding whether or not to view it, the BBFC examines and age rates films and videos before they are released. This independent scrutiny prior to release ensures the highest possible level of protection and empowerment.
What are the BBFC age ratings?
U- A
U film should be suitable for audiences aged four years and over. However, it
is impossible to predict what might upset a particular child, especially at
this lower end of the category range
PG- PG
stands for Parental Guidance. This means a film is suitable for general
viewing, but some scenes may be unsuitable for young children. A PG film should
not unsettle a child aged around eight or older.
12A and 12- Films
classified 12A and video works classified 12 contain material that is not
generally suitable for children aged under 12. No one younger than 12 may see a
12A film in a cinema unless accompanied by an adult.
15- No-one
under 15 is allowed to see a 15 film at the cinema or buy/rent a 15 rated
video. 15 rated works are not suitable for children under 15 years of age
18- Films
rated 18 are for adults. No-one under 18 is allowed to see an 18 film at the
cinema or buy / rent an 18 rated video. No 18 rated works are suitable for
children.
R18- The
R18 category is a special and legally-restricted classification primarily for
explicit works of consenting sex or strong fetish material involving adults.
What factors affect the age rating a film get?
There are many factors that affect the age rating of a film. One of these is how much violence is in the film. Another factor that affects the age rating is how much sexual content is in the film. Foul language and nudity also come into play with affecting the age rating.
There are many factors that affect the age rating of a film. One of these is how much violence is in the film. Another factor that affects the age rating is how much sexual content is in the film. Foul language and nudity also come into play with affecting the age rating.
What age rating would you give your thriller opening and
why?
We would give our thriller a rating of 15. This is because that is within our own age range. Also we understand what works best and what doesn’t work best in our own age range. 15 also seemed an appropriate age range for our thriller as it is going to have the correct amount of content in it that will not be rude or have a lot of violence in it.
We would give our thriller a rating of 15. This is because that is within our own age range. Also we understand what works best and what doesn’t work best in our own age range. 15 also seemed an appropriate age range for our thriller as it is going to have the correct amount of content in it that will not be rude or have a lot of violence in it.
Wednesday, 3 December 2014
Planning- Soundtrack Ideas
We liked the first soundtrack because it is sinister and confusing so it would be good for a thriller because it would help create the sense of enigma by creating the tension so it engages the audience so if we decided to drop the tension for effect then it would help.
We also liked the second soundtrack because it was more horror than thriller so it would make the audience scared and alert so we could used this idea to make the opening affective. We would like to find or create a soundtrack that combines the aspects of both of the sound track so the audience is scared but still alert and holding on to the tension that has been created.
We have decided to go with this soundtrack because it has a mix between the two because it has the aspects of the first one as in the drum hits and the deep sounds mixed with the high sounds creates a sinister feel because it is confusing and is out of the ordinary. it also has aspects of the second because it has a horror thriller feel and makes the audience alert.
Also on our thriller opening we will use 'Garage Bound' to make different pitches of violins at peak moments in the opening, to add extra suspense. We find that 'Garage Bound' will be useful as we can create some of our original ideas and add them into where fits the best.
Planning- Shot List
Shot List
Shot number
|
Details of the shot
|
FX
|
Shot type
|
1
Scene 1
|
Ident appears ‘SceneScreen Productions’
|
Dandelions flying away
|
Mid/close up
|
2
|
Image of the house
|
Blast effect in slow motion
|
Midshot
|
3
|
Words ‘death’ and ‘present’
|
Blast effect on top of picture; slow motion
|
Close-up
|
4
Scene 2
|
Blood trail along the floor
|
Blast effect
|
High angle point of view
|
5
|
Following the rope going down the stairs
|
Blast effect with slow motion
|
High angle
|
6
|
Shots of hand and ‘staring’ on screen
|
Blast effect with slow motion
|
Extreme close-up
|
7
Scene 3
|
Following the rope leading to a name on the leg (Bailey Danahar)
|
Blast effect with slow motion
|
Extreme close-up
|
8
|
Continuous rope leading to the door handle
|
Slow motion on top of blast effect
|
Extreme close-up
|
9
|
opening of door from the opposite side of the door
|
Blast effect
|
Long shot
|
10
Scene 4
|
Following the rope into the room with a shoe on the rope
|
Blast effect and slow motion
|
High angle canted shot
|
11
|
Name of Becky Boyfield on neck injuries
|
Slow motion with blast effect
|
Extreme close-up
|
12
|
Cut to door opening and continuing with following the rope
|
Blast effect and slow motion
|
Door-long shot
Rope-extreme close-up
|
13
Scene 5
|
Newspaper shot ‘all over’
|
Slow motion and blast effect
|
High angle panned shot.
|
14
|
Following an arm with ‘Scott James’ written in the wound
|
Blast effect with slow motion
|
Close up
|
15
|
Rope shot leading to Becky coming through the door
|
Slow motion and blast effect
|
Close up-panned leading to Becky which is a long shot
|
16
Scene 6
|
Rope over to the door leading to Becky and seeing the body
|
Blast effect
|
Close up pan leading to long shot
|
17
|
The body
|
Slow motion
|
Pan of whole body leading to a close up
|
18
|
Zoom of Scott into a corner
|
Slow motion blast effect
|
Long to close shot
|
19
Scene 7
|
Scott grabs Becky
|
Slow motion
|
Mid shot
|
20
|
Scott’s hand is over the dead body
|
Slow motion blast effect
|
Close up
|
21
|
Scott disappears then the title ‘innocence’
|
Fade into black but still in slow motion and with blast effect
|
Mid shot
|
Monday, 1 December 2014
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